Agency Rush / New Artist / New York Times / TFL

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From: AgencyRush <news@agencyrushmail.com>
Date: August 12, 2010 8:05:20 AM CST
To: Jorge Oller <Jorge.Oller@tribuddb.com>
Subject: Agency Rush / New Artist / New York Times / TFL
Reply-To: AgencyRush <news@agencyrushmail.com>

<a href=contact.info@agencyrush.com" width="188" /> August 2010
AgencyRush AgencyRush. Creative Visual Agency
Welcome to the Agencyrush Newsletter

A big hello from everyone at Agency Rush. If you haven't melted in the heat of this beautiful summer we're having, you might like to hear about the recent goings on of our artists. A warm welcome to Carolina Melis and Asako Masunouchi who have joined us this month.

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Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis Carolina Melis

We are absolutely delighted to welcome Carolina Melis. Originally from Italy, Carolina moved to the UK to continue her training in dance and choreography. Her work, greatly informed by her background in dance, explores ideas of delicacy, organic development, life–cycles and living relationships a great example of this is her 'NSPPC' animation. Since 2005 she has been directing music videos for Vladislav Delay, Efterklang, Coleen, Four Tet, alongside commercials for clients such as Sony, BBC, MTV, NSPCC to mention a few. She has just been working on window displays for french clothing label Sessun, which you can see here. See Carolina's full portfolio and animations here.

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Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi Asako Masunouchi

We are very excited to introduce you to Asako Masunouchi. Having studied philosophy in Japan, Asako came to Brighton to pursue her childhood love of illustration, in which she achieved a further degree. Since then she has been building a career in Japan, before moving to Greece in 2009. Asako likes to find humour and heartiness in everyday life. This, along with a little nostalgia forms the inspiration for her work. You can view her full portfolio here.

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Glug - Yuko Michishita Glug - Yuko Michishita Glug - Yuko Michishita Glug - Yuko Michishita Glug - Yuko Michishita Glug - Yuko Michishita Glug - Yuko Michishita Glug - Yuko Michishita Glug - Hello Marine Glug - Hello Marine Glug - Hello Marine Glug - Hello Marine Glug - Hello Marine Glug - Hello Marine Glug - Hello Marine Glug - Al MurphyGlug - Al MurphyGlug - Al MurphyGlug - Al MurphyGlug - Al MurphyGlug - Al MurphyGlug - Al MurphyGlug - Al Murphy
 
Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Allan Deas Glug - Pomme Chan Glug - Pomme Chan Glug - Pomme Chan Glug - Pomme Chan Glug - Pomme Chan Glug - Pomme Chan Glug - Pomme Chan Glug - Pomme Chan Glug - Pomme Chan

Our biggest Glug yet, the Glug Brighton Beach Party took place on the 9th July. The evening was a huge sucess, with creatives rubbing shoulders whilst listening to inspirational talks from the likes of Malcolm Goldie and Airside. With live art from our artists Al Murphy, Hello Marine and Yuko Michishita.

Meanwhile, our friends up in the big smoke, Glug London, hosted the D&AD Student Awards after−party. Yet another sunny evening, Brick Lane was graced with more live art from Pomme Chan and Allan Deas.

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Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins Kate Jenkins

Kate Jenkins' fantastically successful exhibition 'Come dine with Kate' has now come to a close. With a brilliant turn out, the show comprised all of the elements you would need to create the perfect dinner party, all made from yarn, with 'Sequined Salmon', 'Crocheted Cava' and 'Sewshi'. Opened on the 1st July with a special dinner party, diners were 'dazzled' by Kate's puntastic crocheted delights. Check out Kate's updated portfolio full of fabulous new work from her exhibition here.

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Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki Natsko Seki

Natsko Seki has been very busy working on a number of projects. A dream brief and perfect fit for her beautiful and intricate style, this series of posters for 'Transport for London River Services' is live now. For more examples of Natsko's work visit her online portfolio.

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Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo Jirayu Koo

Jirayu Koo delivers a vibrant and cheerful Napa valley in her stylish illustrations for the iconic T: New York Times Style Magazine. As part of May's travel issue, the article focuses on the city of Napa which 'once a drab drive-by en route to more scenic northerly destinations, is undergoing a major make-over'. You can see Jirayu's full portfolio here.

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Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski
Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski Mathis Rekowski

Mathis Rekowski has captured the World Cup spirit in these brilliantly funny illustrations. In true Mathis style he delivers a unique blend of vibrant colours and wit in this series of the dramas and miseries of this years World Cup.

We have a treat in-store with this brand new animation from Mathis 'My opinion!'. You can see more brilliant work from Mathis here.

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If you would like any further information on any of our artists or if we can help in any way then please don't hesitate to
e-mail info@agencyrush.com or call us on +44 (0) 1273 675 122.

Follow us on Twitter at: http://twitter.com/AGENCYRUSH

Full online portfolios and regular news updates at: www.agencyrush.com

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AGENCYRUSH // Creative Visual Agency // 11- 12 Vine Street, Brighton, BN1 4AG United Kingdom // AgencyRush Ltd. is registered in England and Wales Company number 5522444

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Film, Film Craft And Titanium And Integrated Lions Winners Announced

Cannes Lions 2010 - Press Release

FILM, FILM CRAFT AND TITANIUM AND INTEGRATED LIONS WINNERS ANNOUNCED

UK WINS FIRST FILM CRAFT GRAND PRIX
USA WINS FILM GRAND PRIX, INTEGRATED GRAND PRIX AND TITANIUM GRAND PRIX

Cannes, 27 June 2010 - Yesterday, the final night of the Cannes Lions International Advertising Festival concluded with the Film, Film Craft and Titanium and Integrated Lions Awards Ceremony.

Of the 3,191 entries in the Film category, the jury, chaired by Mark Tutssel, Global Chief Creative Officer of Leo Burnett Worldwide, shortlisted 362 entries of which 14 were awarded Gold, 24 Silver and 61 Bronze Lions. The Film Grand Prix was awarded to Wieden + Kennedy Portland, USA, for their Old Spice ad ‘The Man Your Man Could Smell Like’.

In its launch year the Film Craft Lions category received 1,110 entries. The inaugural Jury President was Jon Kamen, Chairman and CEO of @radical.media who, along with his jury, shortlisted 96 entries and awarded 11 Gold, 21 Silver and nine Bronze Lions. RSA Films, London were presented with the first ever Film Craft Grand Prix for their Philips Cinema TV entry ‘The Gift’.

Bob Greenberg, Chairman, CEO & Global Chief Creative Officer of R/GA, has been presiding over the Titanium and Integrated jury who voted on 396 entries to reach a shortlist of 26, of which three Gold, four Silver and six Bronze Integrated Lions were awarded and one Titanium Lion given. The Integrated Grand Prix went to Wieden + Kennedy, Portland’s, ‘Livestrong’ for the Nike Livestrong Foundation, and Crispin Porter + Bogusky, Boulder, accepted the Grand Prix award for Best Buy’s ‘Twelpforce’, in the prestigious Titanium Lions category.

The Titanium & Integrated Jury was also responsible for awarding the inaugural Grand Prix for Good. From a list of 32 contenders, the new award was presented to Abbott Mead Vickers BBDO, London, for their anti-knife campaign for the Metropolitan Police titled, ‘Choose a Different Ending’.

Other awards presented at this evening’s awards ceremony were:

Advertising Agency of the Year was given to AlmapBBDO, São Paulo, Brazil. In second place came Y&R New York, and in third, Wieden + Kennedy, Portland.

The new award for Independent Agency of the Year went to Jung Von Matt, Hamburg. Runners up were Wieden + Kennedy, Portland in second place and Forsman & Bodenfors, Gothenburg, Sweden, in third.

The Network of the Year award was presented to BBDO. DDB came in second place followed by Y&R in third.

The Palme d’Or , given to the best production company, was awarded to MJZ, USA.

Also announced were the winners of the Young Lions Film Competition, with the Korean team winning the Gold medal, USA Hispanic taking Silver and Canada Bronze.

The first Young Marketers Competition saw the dedicated jury award the Dominican Republic with the Gold medal, The Philippines with Silver and Latvia with Bronze.

The coveted Advertiser of the Year trophy was presented to Unilever for their consistently ground-breaking campaigns and inspiring marketing. Keith Weed, Chief Marketing & Communications Officer for Unilever, accepted the award.

All the winning work from Cannes Lions 2010, is now available to view online along with their credits at www.canneslions.com .

- Ends -

 

 

57th Cannes Lions International Advertising Festival, 20-26 June 2010, Cannes, France.

The International Advertising Festival - Cannes Lions - is the world's biggest celebration of creativity in communications. As the most prestigious international annual advertising awards, over 24,000 entries from all over the world are showcased and judged at the Festival. Winning companies receive the highly coveted Lion trophy, honouring the most creative film, film craft, print, outdoor, interactive, radio, design, sales promotion & activation and integrated advertising, as well as the best media, direct marketing, PR and Titanium ideas. The Festival is also the only truly global meeting place for advertisers, advertising and communication professionals. Over 8,000 delegates from 90 countries attend seven days of exhibitions, screenings, as well as over 50 high-profile seminars, 30 workshops and master classes presented by renowned worldwide industry leaders. As the networking and learning opportunity of the year, Cannes Lions is the must-attend event for anyone involved in brand communication.

 

For further information, please visit www.canneslions.com or contact:
Amanda Benfell, PR & Press Manager
Cannes Lions International Advertising Festival
Greater London House, Hampstead Road, London NW1 7EJ, United Kingdom
Tel: +44-20-7728 4040; E-mail: amandab@canneslions.com

Trends for Week of 19 - 24 June 2010

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Brand Management / Understanding Consumers / Shopper Marketing / Media Mix Optimization / Brand Strategy in Action

Brand Management

Are Luxe Marketers Missing the Boat? <http://www.adweek.com/aw/content_display/news/agency/e3ic0c203644bbc3d5f4cf0600ce0ff1e99>  Not only are the rich different from the rest of us, as the familiar F. Scott Fitzgerald line says. They're also different in some respects from the way they were before the Great Recession struck. An American Express Publishing/Harrison Group study sheds light on whether luxury marketers are missing the boat (or shall we say missing the yacht?) in the way they address affluent consumers as the economy appears to recover. Adweek, 20 June

Actions Speak Louder than Logos <http://www.marketingweek.co.uk/in-depth-analysis/cover-stories/actions-speak-louder-than-logos/3014646.article>  Last month, Marketing Week columnist Professor Mark Ritson declared that “repositioning is almost always impossible”, claiming that just 1% of repositionings are successful. He didn’t stop there, warning that “changing a brand from black to white… is a ludicrous notion. Even when you can fool the people into believing the change has occurred… you cannot change the fundamental nature of the way a brand does business.” Marketing Week, 17 June.

Good and Hungry <http://www.economist.com/node/16380043?story_id=16380043&fsrc=rss> In theory, fast-food chains are almost invulnerable to recessionary forces: When consumers feel the pinch, fast food becomes more appealing. This time round, though, many fast-food chains have struggled to maintain revenues, and increasingly desperate loss-leader promotions have eaten into the companies' profitability. Now some companies are switching tack, adding premium products to their menus to boost profit margins, while others are shifting their energies to less saturated markets in China, Russia and Europe. The Economist, 17 June.

Understanding Consumers

The Three Types of Sharing <http://russelldavies.typepad.com/planning/2010/06/sharing.html>  Davies dissects the act of sharing into three categories – sharing goods, sharing services, and sharing information. Sharing goods, Davies claims, is the most difficult form of sharing because giving away a physical item is immediately noticeable. Sharing services doesn’t consist of losing tangible objects, but it can be considered an inconvenience. Sharing information, like giving directions, isn’t an
inconvenience and doesn’t constitute loss of goods or time. Russell Davies, 23 June.

'Walmart Moms' Battle Through Tough Economy <http://www.brandweek.com/bw/content_display/news-and-features/direct/e3ic25a0caf931c892486dcd0535d26381d>  One section of the survey asked Walmart Moms to say whether they've taken various steps in the past year "as a result of the downturn in the economy." Eighty-eight percent reported "buying fewer or less expensive birthday or holiday gifts," and the same percentage said they've been "spending less on out-of-home entertainment." Nearly as many said they've been "spending less on clothing and accessories" (86 percent), "eating out less frequently" (85 percent) or "traveling less or planning to travel less" (80 percent). Brandweek, 23 June.

Pampers Makes a Push to Include Fathers in Marketing <http://www.nytimes.com/2010/06/23/business/media/23adco.html?ref=media>  Now Pampers, the Procter & Gamble brand, while not planning to advertise on ESPN anytime soon, is taking baby steps toward fathers. On June 17, Pampers was host to a “Daddy Play Date” in Manhattan with celebrity fathers like the singer Joel Madden and the actor Gilles Marini and about 100 guests, who played carnival games with their toddlers. According to an invitation, the event was to pay “homage to dads on diaper duty.” New York Times, 22 June.

Shopper Marketing

Sam's Club's CEO Brian Cornell: Retailing in the New Normal <http://blog.nielsen.com/nielsenwire/consumer/sams-clubs-ceo-brian-cornell-retailing-in-the-new-normal/>  Cornell outlined two major consumer trends important to retailing success today, the first being a shifting consumer landscape, including aging baby boomers and young multicultural families. Understanding today’s consumer requires the realization that dad is just as important as mom in the shopper decision trip, that many consumers are likely thinking about making healthy lifestyle adjustments and that consumers are connected. A big part of today’s consumer’s recreation is tied to a keyboard or smartphone. Nielsen Wire, 16 June.

Store Tone - Is Yours Right? <http://www.insideretailing.com.au/Latest/tabid/53/ID/8480/Store-tone--is-yours-right.aspx>  You only need to look at successful international brands to see they have one common thread. They have a consistency in their core brand ‘handwriting’ that is unmistakably theirs. The average consumer may not be able to define what that is, but the messages sent by their store design, product range, pricing and marketing material and customer service are all aligned and consistent. Inside Retailing, 22 June.

Retailers Broaden Meaning of Value <http://www.reuters.com/article/idUSTRE65M3YK20100623>  "Value" has been the retail code for low prices during the global recession, but the oft-repeated word is taking on a broader definition that includes quality and selection. Shoppers are still responding to the low price message as unemployment remains high and the stock market gyrates. Matthew Shay, chief executive of National Retail Federation, the U.S. retail industry trade group, said that value "means more than just price." Reuters, 23 June.

Media Mix Optimization

Code Read <http://www.brandweek.com/bw/content_display/news-and-features/direct/e3ic0c203644bbc3d5f55c6d76cec04b27f> PepsiCo, meanwhile, is using Stickybits for its Pepsi and Frito-Lay products. Consumers who scan UPCs on those items can find out more about Pepsi Refresh Project community funding efforts. If they scan a Lay’s bag of potato chips, for instance, they can learn about the brand’s partnering with local farmers. Bonin Bough, director of social media at PepsiCo, said PepsiCo is assembling a council, headed by digital influencer Gary Vaynerchuk who is also a Stickybits advisor, to help devise adoption plans and broader marketing and promo strategies. Brandweek, 20 June.

On Issues of Trust, Social Media Brands Lag Behind <http://www.adweek.com/aw/content_display/news/digital/e3i82a006de3290b1a63cc07dd35f770aa5>  Apple, Google and Microsoft are trusted about equally by consumers, according to a Zogby Interactive poll this month, while Twitter and Facebook lag far behind in that respect. Forty-nine percent of respondents said they trust Apple "completely" or "a lot," matching the number who said the same about Microsoft and Google. Adweek, 22 June.

Armani Exchange Launches a Digital Stylepad <http://www.imagesfashion.com/NewsDetails.aspx?Ntype=2&id=361>  A|X Stylepad - a multi-media, interactive digital portfolio, will provide users access to the world of Armani Exchange. The A|X Stylepad is a brand destination where users can freely navigate through a online flash-book to experience multimedia content of the current A|X seasonal campaign, with exclusive content and features that include interviews, videos, photography and A|X music. Images Fashion, 23 June.

Brand Strategy in Action

Cadillac Emulates the Ritz to Wow Customers <http://www.businessweek.com/magazine/content/10_26/b4184024360730.htm?campaign_id=rss_null>  To boost its flagging brand, Cadillac has called in training teams from the Ritz-Carlton Hotel chain to teach its staff how to pamper customers. Like the Ritz, Cadillac is now giving all its workers pocket-sized cards explaining how to provide a winning customer experience and is giving employees carte blanche to spend up to $2,000 ensuring that customers go home happy. "We think we do pretty well, but...we have to do better," says Cadillac's vice president for sales and service in the U.S. Businessweek, 17 June.

Urban Outfitters Brings Hipster-dom to a Second UWS Location <http://ny.racked.com/archives/2010/03/16/urban_outfitters_to_open_second_uws_location.php>  Uptown hipsters and teenyboppers rejoice! Urban Outfitters has confirmed the opening of a second Upper West Side location at 2625 Broadway (between 99th and 100th). The expansive store will occupy 6,090 square feet on the ground floor and 8,708 square feet on the lower level, hopefully assuaging some neighborhood concerns about the number of unoccupied storefronts in the area. Racked NY, 16 March.

The 'Curious' Case of Gin <http://www.nytimes.com/2010/06/21/business/media/21adnewsletter1.html?src=busln> The reworking of the Web site is indicative of the efforts being made by marketers of distilled spirits to come up with new and different ways to catch the attention of, and engage with, consumers. The gin marketplace is not as crowded and crazy as that for vodka, but it has been busy. For instance, Tanqueray gin has changed campaigns, bringing out ads that carry the theme “Resist simple”; riders of the New York City subway system are seeing posters that advertise Bulldog gin; and Bols, the Dutch distiller, began a campaign in the United States this month for Bols Genever, a sweet, aromatic gin, which carries the theme “Strangely perfect.” New York Times, 21 June.

  Sarah Tan | Account Director | SweeneyVesty | www.sweeneyvesty.com <http://www.sweeneyvesty.com/>  
New Zealand. Tel +64- 4 4999 111 | Fax +64 4 4999 222 | Mobile +64 21 158 8232
Majestic Centre, Level 14, 100 Willis Street, Wellington 6111, New Zealand
Postal: PO Box 940, Wellington 6140 | New Zealand

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Lions Daily News

BRAZIL WINS PRESS GRAND PRIX
THE 2010 PRESS Lions’ Grand Prix winner is AlmapBBDO São Paulo, Brazil, for the Billboard Magazine campaign ‘Bono’, ‘Eminem’, ‘Amy’, ‘Britney’, ‘Marilyn’. Jury president Mark Tutssel, Leo Burnett Worldwide’s chief creative officer, said: “The Grand Prix winner is a textbook case for beautiful print – exquisitely crafted work that grabs you by the eyeballs, stops you dead in your tracks and rewards you with thought-provoking content.” He said the campaign “captured the pure essence of the brand” and added: “The best press work elicits not only emotion, but also participation ... it gets read. It invited you into the communication with skillful art direction and spoke volumes of the brand.”
Tutssel said that the jury was very impressed with the 389 shortlisted entries from the total of 4,819. In addition to the Grand Prix, there were 10 gold Press Lions, 21 Silver and 39 Bronze. The calibre of the winners demonstrated that 2010 “was the renaissance year for print,” Tutssel added.
Commenting on the relatively few successes from China, jury member Dong Lijin, vice-president of Meikao in Beijing, said: “We need to learn a lot from advertising around the world.”
Fellow juror Kondiparthi Venkata Sridhar, Leo Burnett Mumbai’s national creative director, said that, while the number of new agencies in India is growing, it would be a while before we could expect to see a dominant Indian presence in Cannes.

Promo & Activation, PR & Direct Lions Winners Announced

 

        
  PROMO & ACTIVATION, PR & DIRECT LIONS  WINNERS ANNOUNCED PROMO & ACTIVATION AND PR GRANDS PRIX GO TO USA DIRECT GRAND PRIX GOES TO NEW ZEALAND Cannes, 22 June 2010 - The first of the Cannes Lions International Advertising Festival winners were honoured last night at the first of four Awards Ceremonies taking place during the Festival week. Both the Promo & Activation Grand Prix and the PR Grand Prix went to TBWA\CHIAT\DAY LA in the USA, with assistance from Paragon Marketing Group and Fleishman-Hillard, for their entry ‘Replay’ to promote the energy drink Gatorade.    Of the 1,595 entries submitted in the Promo & Activation category, a 43% increase versus last year, 150 were shortlisted from which 55 were selected as winners by the international jury led by Tina Manikas, Global Retail & Promotions Officer of Draftfcb. Along with the Grand Prix a further 8 Gold, 20 Silver and 26 Bronze Lions were also awarded.  In its second year the PR category received 571 entries, up 32% from last year. Due to the high increase in entries, the jury decided that it was necessary to award Gold and Silver Lions, rather than only PR Lions, which is normal for a new category. The PR jury, chaired by Paul Taaffe, Global Chairman and CEO of Hill & Knowlton, awarded 11 Gold Lions and 32 Silver Lions from an initial shortlist of 87.  Of the 1,441 entries submitted in the Direct Lions category, 164 went on to make the shortlist of which 19 Gold, 24 Silver and 31 Bronze Lions were awarded. Special Group Auckland in New Zealand won the Grand Prix for their entry ‘Orcon + Iggy Pop’ for Orcon Broadband. The Direct Lions Jury of 30 members was chaired by Pablo Alzugaray, Chief Executive Officer of Shackleton.    The prestigious Direct Agency of the Year award was won by Abbott Mead Vickers, BBDO, London, UK.  All the Promo & Activation, PR and Direct Lions winners along with their credits can be viewed online at www.canneslions.com/work  <http://www.canneslions.com/work>  .  Since the Festival opened on Sunday, delegates have enjoyed presentations by key industry leaders including, JWT’s Bob Jeffrey, Fernando Vega Olmos and Guy Murphy who offered an inside peek at how three pioneering initiatives have impacted the industry; Ogilvy’s Vice Chairman, Rory Sutherland introduced three of the most persuasive salespeople from their World’s Greatest Salesperson competition with the audience deciding the winner via real-time voting and Electronic Arts examined how interactive entertainment is evolving as a game-changing medium. The 57th Annual Cannes Lions International Advertising Festival, the largest and most coveted awards in the industry’s calendar is currently taking place in France, attended by 8,000 industry peers.  - Ends -  57th Cannes Lions International Advertising Festival, 20-26 June 2010, Cannes, France.

 

Day Two At Cannes Lions 2010

Live from Day Two at Cannes Lions 2010
 Read this email online  <http://list.canneslions.com/t/293993/15521106/3208/0/>
 

        
  Six shortlist exhibitions opened at Cannes Lions this morning and tension is already mounting ahead of the first awards ceremony tonight. BEFORE THAT, BE IN THE PALAIS TODAY TO SEE: SAWA Seminar
The Cinema Medium - Connecting Technology, The Audience And The Advertiser
 15:00 - 15:45
 Estérel
Campaign Seminar
Lessons From When Soho's Mad Men Ruled The World
 17:00 - 17:45
 Debussy
Eardrum Workshop
The Ad Break Is Broken: An Eardrum RADIOlogy Workshop
 15:00 - 17:00
 Workshop Room (Level -1)
See Full Programme >> <http://list.canneslions.com/t/293993/15521106/2916/0/>    

       
  Promo & Activation, PR, Direct, Radio, Outdoor, Media and Press Lions shortlists are now available. More >> <http://list.canneslions.com/t/293993/15521106/3207/0/>  You can watch clips from all of yesterday’s seminars online now. More >> <http://list.canneslions.com/t/293993/15521106/1452/0/>  Hollywood is coming to Cannes tomorrow. Ben Stiller is joining Jeff Goodby and Elisa Steele in the Yahoo! seminar <http://list.canneslions.com/t/293993/15521106/3002/0/>  and Digitas <http://list.canneslions.com/t/293993/15521106/1961/0/> is organising a cage fight between  Nick Cannon, Gavin Polone, Paula Abdul and Monty Miranda.   

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Day One At Cannes Lions 2010

Live from Day One at Cannes Lions 2010
 Read this email online  <http://list.canneslions.com/t/293633/10788508/3206/0/>
 

        
  Cannes Lions 2010 kicked off this morning, and we are reporting live from the Festival this year, with interviews, video highlights from the programme and insights into the winning work from the Jury Presidents. BE IN THE PALAIS LATER TODAY TO SEE: TribalDDB Seminar
The Meek Have Inherited The Earth: The Power And Future Of Social Media In The New Decade
 15:00 - 15:45
 Debussy
SapientNitro Seminar
Customers Are From Mars, Brands Are From Venus. Experience Brings The Romance Back Into Media
 16:00 - 16:45
 Debussy
Wunderman Workshop
Mobile Mania: A Workshop On The Second Internet Revolution
 12:30 - 14:30
 Workshop Room (Level -1)
See Full Programme >> <http://list.canneslions.com/t/293633/10788508/2916/0/>    

       
  You can ask Facebook's Mark Zuckerberg questions ahead of his seminar on Wednesday. More >> <http://list.canneslions.com/t/293633/10788508/3203/0/>  The Microsoft Advertising Experience Centre opens tomorrow. Visit throughout the week to try out ground-breaking technologies. The first shortlists will be released tomorrow morning, with exhibitions in the Palais and listings online. More >> <http://list.canneslions.com/t/293633/10788508/3207/0/>    

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Cannes Lions International Advertising Festival

Cannes Lions 2010 Entries Increase 7%
Thursday 03 June 2010
Cannes Lions 2010 Entries Increase 7%

24,242 total entries – the 4th highest number in the history of Cannes.


The Organisers of the 57th Cannes Lions International Advertising Festival today announced that more than 24,000 entries from 90 countries, the 4th highest level of entries ever, will be competing for the coveted Lions at this year’s event, an increase of 7% versus last year.

"Cannes Lions reflects the communications industry, and these results tell a fascinating story,” says Philip Thomas, Festival CEO. “Firstly, of course, they suggest that the industry as a whole is recovering from the distress of 2009 (entries to the Festival were down 20% last year) and indeed they show recovery coming not only from places you would expect like Latin America or India, but also countries like Sweden, Turkey, the UK, France and the USA, all of which have picked up considerably.”

“The figures also show different categories showing differing levels of growth. While some traditional sections are down year-on-year, there are significant increases in Media and Cyber as well as in the newer Cannes Lions sections – especially PR and Promo & Activation which have grown by 32% and 43% respectively,” continued Philip Thomas. “We look forward to welcoming the 12 juries to Cannes where they will take on the daunting task to view, judge, deliberate and honour the best creative work from the world’s communications industry.”

 

Category 
2009
2010
% Variation
2010 v 2009
Cyber Lions
2205
2603
+18%
Design Lions
1139
1297
+14%
Direct Lions
1364
1440
+5.5%
Film Lions
3453
3191
-7.5%
Media Lions
1840
2162
+17.5%
Outdoor Lions
4498
3822
-15%
PR Lions
431
571
+32%
Press Lions
5048
4821
-4.5%
Promo & Activation Lions
1118
1595
+43%
Radio Lions
1153
1235
+7%
Titanium and Integrated Lions
403
395
-2%
Film Craft
n/a
1110
n/a
TOTAL
22652
24242
+7%

All the entries can be viewed in the Palais des Festivals in Cannes during the Festival week. To register to attend the Festival, please go to www.canneslions.com

Apple comes between client and agency with iAd: Tribal DDB CEO - Mobile Marketer - Advertising

Apple comes between client and agency with iAd: Tribal DDB CEO

Tribal DDB CEO: Apple comes between client and age

Paran Johar of Jumptap (right) interviewed Mr. Gunning (left)

NEW YORK – The CEO of Tribal DDB told Mobile Marketing Forum attendees that he is concerned about Apple's walled-garden approach and that the company is stepping between the client and the agency with iAd.

The executive brought to light some of the concerns and challenges that agencies are facing in trying to get clients into mobile. He also talked about what is hindering brands’ entrance into the mobile space.

“We are not sure what to make of Apple’s walled garden,” said Paul Gunning, CEO of Tribal DDB, New York. “It is worrisome.

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“Apple is going to do the development and creative when it comes to iAd,” he said. “They are stepping between the client and agency. 

“Agencies traditionally guide our clients though the process and it’s worrisome that we are not able to do it with Apple.”

Paul Berney, managing director of EMEA at the Mobi

Paul Berney, managing director of EMEA at the Mobile Marketing Association

Mr. Gunning expects a lot more innovation in mobile. He said that every time there is a new marketing channel, some company comes along and creates something incredible.

“But what is it going to take for clients to start to really buy,” Mr. Gunning said. “What is it going to take for brands to start buying this in a real number?”

Apparently, innovation is creating confusion among clients. However, without it, the industry is going to be at a nascent stage.

Konny Zsigo, president of the WDA

Konny Zsigo, president of the WDA

Mr. Gunning believes that the networks have a leg up.

Mobile search
“Everything is leading to search,” Mr. Gunning said.

He expects mobile search to be the area where there is real money.

“IAd is just something that is shiny and new,” Mr. Gunning said. “Steve Jobs has proven that advertisers will allocate $60 million into mobile advertising but $60 million is nothing when you compare that to other channels.

“The walled garden approach makes the space really inefficient from a production standpoint,” he said. “But it’s still just the lack of understanding that keeps the client from buying.

“There are not enough brands here at MMF”

Another point Mr. Gunning brought up is that the Advertising Festival in Cannes is coming up and there is no mobile category.

“There needs to be more interesting executions beyond just search and advertising,” Mr. Gunning said.

Mr. Gunning also said that mobile needs to be a standalone channel until clients better understand it.

Using it as a multichannel effort just buries it in the mix of media and does not help to educate clients.

“Mobile is absolutely the most innovative platform we have,” Mr. Gunning said. “Mobile provides explosive opportunities because it is so personal.

“There is search advertising and geo-location and that can drive our clients’ sales more dramatically than any other platform,” he said.

Google's role
As for Google and where it sits in the mobile space, Mr. Gunning said that the company has its finger in every single portion of the mobile pie.

Hardware and software, ad networks and device manufacturers are going to be very impactful and Google has a clear leadership role.

“What do advertisers care about?” Mr. Gunning asked. “They want to make a sale.

“But when looking at mobile, its about reach and cost, and cost to reach,” he said.

Paul Berney, managing director of EMEA at the Mobile Marketing Association said that there is an ROI for mobile marketing and advertising.

The increased use of the mobile Internet is one reason why. Also, the increased availability of inventory on mobile is the reason that marketing and advertising on the channel is set for growth.

Economic-related pressures on marketing budgets have cause a lot of brands and marketers to withdraw from the traditional channels and use mobile, because it is less expensive. 

New formats and the availability of a rich experience are also driving the channel.

The size and scale of the acquisitions in the mobile space are huge and are also drivers.

“These companies are not betting so much money on a channel that they think will grow,” Mr. Berney said.

Mobile advertising
Konny Zsigo, president of the WDA, East Lansing, MI, talked about mobile advertising.

He said there are three different goals that a mobile advertiser could have: 1. CRM, 2. Awareness, 3. Acquisition.

Brands do not take kindly to marketing service providers wasting their money. Everything needs to be measureable,” he said. 

“I am going to show you the science which is mobile banners and how I use them for a positive ROI,” Mr. Zsigo said. “You generally have two business models: CPM and CPC.

“There is a high latency in mobile because of click loss,” he said. “Banners tend to drop to a landing page and if that page does not load instantly, clickers tend to click over and over again.”

Certain banners work better at certain times of the day on certain sites.

Mr. Zsigo talked about an ad campaign his firm did for the Orbit Social Phone Book.

The advertising campaign for the Orbit Social Phone Book succeeded in getting the application into the Top 75 slot in the Apple App Store in under two weeks.

The ad campaign is further confirmation of the potential of mobile advertising in affecting App Store rankings.

Trilibis’ Orbit Media subsidiary marketed the application with WDA, with promotional ads running on ad networks Millennial Media, Quattro Wireless, AdMob and Jumptap.

Initial trials of Orbit were very promising, and Trilibis wanted to give it every effort to succeed.

With well over 2,000 social networking applications in the Apple App Store, the competition is fierce.

Still, the company felt it could break the top 100 in the category out of the gate with a well-executed marketing campaign that reached users where they would be using the application – on their iPhone.

Orbit was able to exceed its objective, reaching No. 61 in the social networking category before it ended its marketing campaign (see story).

According to Mr. Zsigo, mobile is a seven-dimensional space that consists of site, time, device, banner, landing, conversion and retention.

“The goal is to take someone that did not have purchase intent and get them to buy,” Mr. Zsigo said. “Offer something free.”

Cannes Lions International Advertising Festival

Cannes Lions Honours Unilever With Advertiser Of The Year Award
Tuesday 25 May 2010
Cannes Lions Honours Unilever With  Advertiser Of The Year Award

Keith Weed, Chief Marketing & Communications Officer will accept the award in Cannes.


The Organisers of the 57th Cannes Lions International Advertising Festival are delighted to announce that this year’s prestigious Advertiser of the Year award will be given to the Anglo-Dutch consumer goods giant, Unilever, owner of many of the world’s best-loved foods, beverages and home & and personal care brands.

This important accolade is presented to advertisers who have distinguished themselves for inspiring innovative marketing of their products and who embrace and encourage the creative work produced by their agencies.

Known around the world for their thought-provoking yet entertaining advertising campaigns, Unilever won their first Cannes Lion for OMO washing powder back in 1961. Since then, Unilever brands have gone on to win close to 200 Lions over the years, including the Media Grand Prix in 2002 for 'Magnum 7 Deadly Sins – Give In To It',  the Cyber and Film Grand Prix in 2007 for their ground-breaking Dove 'Evolution' ad and the Integrated Grand Prix also in 2007 for 'Axe 3'.

“As one of the world’s top consumer goods companies, millions of people around the globe are touched daily by the advertising of Unilever’s brands. Over the years, their marketing has been renowned for embracing the creativity and innovation that has driven the powerful work that their agencies have produced. Cannes Lions are delighted to bestow the honour of Advertiser of the Year to Unilever,” said Terry Savage, Festival Chairman.

Keith Weed, Unilever’s Chief Marketing Officer, and member of the Unilever Executive, said, “It’s a great honour to accept this award on behalf of Unilever. The long-standing relationships we have built with our agency partners over many years have enabled us to develop many striking – and more importantly – effective advertising campaigns. More than this, the depth of our relationships has engendered the trust required to foster the genuine strategic thinking, creativity and innovativeness that delivers both long-term brand equity and outstanding work.”

Unilever is one of the world’s leading suppliers of fast moving consumer goods with strong local roots in more than 100 countries across the globe. On any given day, two billion people use a Unilever product. With 400 brands spanning 14 categories of home, personal care and food products, no other company touches so many people's lives in so many different ways.

Its portfolio includes some of the world’s best known and most loved brands including eleven €1 billion-plus brands and global leadership in many categories in which the company operates.  The portfolio features brand icons such as: Omo, Lipton, Dove, Axe/Lynx, Knorr, Hellmann’s, Wall’s ice cream, Flora/Becel, Vaseline, Surf and Cif.

Unilever is aiming to double in size whilst reducing its environmental impact, working to create a better future everyday by helping people to feel good, look good and get more out of life with brands and services that are good for them and good for others. The company has around 163,000 employees in approaching 100 countries and generated annual sales of €40 billion in 2009.

The Advertiser of the Year trophy will be presented to Keith Weed in Cannes during the Film, Film Craft and Titanium & Integrated Lions Awards Ceremony on Saturday 26 June 2010.